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Salmon run

“The chief glory of a woman is not to be talked about,” notes Treasury Secretary Salmon P. Chase in Our American Queen, the new play by Thomas Klingenstein (at the Flea Theatre through June 29). Chase...

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Terry Teachout, 1956–2022

The thing to know about Terry Teachout is that he knew everything. Whether it was pop culture or high culture, from the ballet and the opera down to John Wayne pictures from the 1940s, he marinated in...

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Running from ghosts

The reflections of any literate Irish actor can normally be counted upon to produce a half-decent evening of theater, but Gabriel Byrne’s episodic two-act monologue “Walking with Ghosts” (which is...

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Icons for sale

Among playwrights and screenwriters, the New Zealander Anthony McCarten is a sort of People magazine profiler. He writes respectfully about the interior lives of celebrities, although unlike People...

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No city of angels

Broadway plays dealing with black life tend to stick to what you might call a New York Times view of the world. Some lean into campy, even maudlin, downtown-style cabaret (Jordan Cooper’s Ain’t No Mo,...

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Piety vs. Pi

The finest puppet show on Broadway is undoubtedly Life of Pi (at the Gerald Schoenfeld Theatre through September 3), following the 2001 Yann Martel novel and the 2012 Ang Lee film. Ah, but it’s not...

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Quips aplenty

In Good Night, Oscar, Doug Wright has written a play that does a public service in commemorating the freewheeling wit and general obstreperousness of a mostly forgotten mid-century entertainer. Today...

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About face

My, what a lot of acting Jodie Comer is doing in the one-woman, one-act Broadway play Prima Facie (at the John Golden Theatre through July 2). At the start, Comer’s English defense barrister Tessa...

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Well, shucks

Starting in 1971, fretting about changing times and advertisers clamoring for more appeal to young adults, CBS led the television networks in taking a scythe to down-home entertainment. The rural...

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Looking for a sign

Bedeviled by a clunky title, a long running time, a diffuse storyline, and a general verbosity even by the standards of drama, Lorraine Hansberry’s The Sign in Sidney Brustein’s Window was not a...

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